A wonderfully odd mixture of pop and baroque sounds with just a slight dash of rock. Many of the songs feature a pseudo-harpsichord sound. Me, well, though my favorite song on here is the well-paced "Dark Lady," I think that, overall, the softer sounds on this album are the ones that work the best. The vocalist's voice seems especially well-suited to soft sounds. Some of the musical themes seem to reappear throughout the album, as though the whole album were a Beethoven-esque symphony. All said and done, though, this is a nice album. Some soft moments, some odd moments, some songs that run right into each other, and a proper psychedelic ending with voices and a sound effect. Good stuff.
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I actually built a version of a guitar distortion box their guitarist Craig Anderton designed back in the 70's, but I haven't heard any of their music. Yet.
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